Saturday, 27 February 2010
Thriller Filming
Thursday, 25 February 2010
Risk Assessment:
Bodily Injury:
We will ensure that appropriate footwear is worn during all photo taking and filming sessions and make sure that the ground we are walking on during a scene/photo is extremely safe before capturing.
Getting Injured By a Moving Car:
We will ensure that precautions are put in to place for road safety during footage around roads and we will never film actors crossing busy roads. (If crossing of a road is necessary in one shot, then the cameraman will never rush actor and make sure he/she feels safe crossing the road and that they do it as naturally and safely as possible).
Getting Lost:
During certain "forest" scenes, we will make sure that all actors have phone in their pocket in their pocket if they cannot find way back. However, this will be prevented by filming in groups of three or four at all times, which will limit individual isolation.
Damage to Equipment:
We will make sure, when handling equipment, that we do so gently and slowly, preventing any quick slips, trips or falls with the equipment. We will also share the equipment when walking therefore preventing any one person to carry all of it by themselves, which will hopefully prevent injury or damage to person or equipment.
Strangers/Assault:
We will make sure as a group that we don't annoy or aggravate members of the public during the filming's of our scenes. We will choose fairly isolated areas during the day to avoid this, but if we encounter a person we will take extra safety precautions to avoid awkward questioning or negative vibes.
General Injury:
We will ensure that our locations are near college during, college hours, so if something happened we can quickly return to get help. Also we will always travel in a group of 4, therefore if someone is in trouble, one (or two) member(s) of the group can stay with them whilst the other one or two can run off for help.
Illness:
If a member of a group falls ill time needs to be used efficiently to remain on schedule. If its more than 2hrs we need to find replacement or a definite reschedule date will be set and be met without exception.
Tuesday, 23 February 2010
Thriller Planning 3
Monday, 22 February 2010
Thriller Planning 2
Friday, 12 February 2010
Thursday, 11 February 2010
Thriller Research:Donnie Darko
Sound is used to create representations of thrillers. Building storm sounds increase the tension as the credits are displayed. When the establishing shot is displayed, ambient diegetic birdsong is present to indicate it as a safe haven. An electronic humming sound gradually gets louder as the zoom increases to increase the tension. This then turns into harpsichord music which has a childlike feel to it.
Thriller Research: The Bourne Identity (1988)
One of the ways which this is made a thriller is that the storm sounds grudually builds up during the short opening credits and then evolves into loud dramatic orchestra music. This all build up to the yell of the shooter and the fire of his gun. This creates suspense for the audience and readily sets the scene when the sea and boat shot is established. The music then becomes slower and sadder with added bubble sound effects. This slows the pace down but increases suspense as the audience is wondering if Jason will survive. The explosion at the end climaxes the scene as the man resurfaces and survives.
The camera angles also create thriller representations. The first shot is an establishing shot of the boat and sea which tells the audience the setting as well as leave them wondering what's going to happen there. As Jason is shot and falls down, there is a high angle shot to show his vulnerability.
The mise en scene is also important. When Jason is drowning, he is repeatedly being snagged by seaweed. This emphasises how he is underwater and likely to die, and makes it appear more sinister.
The editing is also used when there are constant switches between Jason and his shooter, while portraying their decreasing distance from each other. The fact that Jason gets more screentime foreshadows that Jason is the main character and that the shooter is unlikely to be important in the story. Jason's fall in the water is also repeated from a different angle to emphasise his fall.